objects in shadow or by broad and flat masses of foiiagc. Small parts, such as stems of
trees, or any objects producing sharp or straight lines, always contuse and cut into the
form o fth e design. (Gray, in Gard. May., vol. xix., p. 662.)
1545. The approach in the modern style was well understood hy Repton, and the following
excellent observations hy tliis artist seem to smn up every thing that can be said
on the subject: — The road hy which a stranger is supposed to pass thi'ough the pai-k or
