1 .CANTERBIM PILGRIMAGE.
||g|reg)Hiiiiihrf^ B ^ &v.lgate’s ‘‘ Storie of Thebes,”
pre&ervid Ih^ :® British Museum (MS.^Reg^lh. D.
II.) lu-. itmmdied?1t he^ aocoin]^i\ ing beautiful iIIuh-
iiatioT^^^Wtho^'prptl^gue NraarETlS Canterbury Tales.
«v^r* known, composed tfifej
* the Tales of
(Gumoer. . In the imrod>iibtorj,bfiosfho pn.t?nds that
| after a tit ot.tioLnc^" be detmmncd to make, a' pil-
Tbnmas hat there he chaneedf
jjpjfo-t.o.the same-inn whicJi^lT^Hi)virpdf n)inta0.f^poi the Tabard and his equ&i
pan} JBDvdsrite describes himself as being c la d ^ .^
“ In a cope of black, and ncjlJM i'rcnc,
’ , On f i paLfrw
tWSrustylbrrelt^imadi* notfafi the sale,
— My man to-'foruelwith a\\»idiTOflle-'!.*_f
-The;lh%)3t ‘. of flffe- Tabard /receives 'him info the^cptnpa^^^^^^^pj with him
'lifion his Sean AppearanceggaH
u To. be a mounke sclendire is
Ye have b e e n s e k e ^ ^ ^ ^ ^ n ^ e d e assure, .
• Ore late fed in a feynte pastur^fe-
Liftt up your hede, be glacj.e, take no sbrowe,
And ye shale homo rydevwithviis tp-mofowe.”