
 
        
         
		on  wood, was .'then  current,  and  what  is  above  given  is  very  possibly,  if  not  
 probably,  a  copy  of  the  old-print.”  We  are  able^to  confirm  Mr.-Q'.oili^s  
 conjecture;  for we have, seen, -we believe  in  the Ashmolean' Museum at Oxford,  
 an  old w'dod-cut  of Tarlton,'closely resembling the- above,printed with a black-  
 letter  ballad.  ..The  volume.fr pm  which  our  drawing f is, taken  consists‘of  an  
 alphabet of ornamental litters* drawn injfche latter years of the'sixteenth century,  
 probably, very  soon  after  Tarlton’s  death,  which  occurred-in  the  year  15b8,"a  
 little  more  than  a  month  after  the^defeat  of  ^ f am o u s   Spanish'vArmada.  
 Many . o |* 0 ^  let^rs,are  remarkably bold  and  fantastic;  but  in  geheraTthey-  
 Are  not"  accompanied, with  drawings, like  this  of Tarltbn,  or with verses.  J f e   
 presence of these  adjuncts in. the case‘of theletter T,  show the great reputation  
 of Tarlton’s name  at. the period when  the manuscript was  executed,’  and this is  
 -confirmed’by the  numerous  allusions  to  him  in  popular  publications  for some  
 ye$ra afterwards.  Tarlton is known  as a writer  of ball'adspas,#eli^as-an  actor.  
 His  ballads  were  probably'composed  before  he  became  famous  on  tEe^stage.  
 A  specimen  is .given  in  Mr.  Collier’s  “ Old'Ballads,”  p.  78£which  is  written  
 just  in  the  sar^e  kind  of  doggrell  as  the  lines  which  accompany  bu^” initial  
 letter. 
 ^Tarlton was, .although  in  a low station,  ohe  of the  remarkabierpt^^ha^es  of  
 3®gn  of Elizabeth,  the  age in  which  our  stage, properly aso called,* tdok  its  
 rfee.  The pecidiar.diaracter  in  which he shone sCemed  foigive him some  claim  
 to  adorn  the .description  of a  picture  representing  that *^reat  princess  
 childhood*  ,Qur^ l||ejs taken from an elaborately nnishea^orteg^^r HolWftn,  
 of  the  Prin^ss /Elizabeth  whcfivin  her  twelfth  year.  Ttff original  is  place d  
 in  .thej“ Queen’s.  itSalle^”  at  Hampton  Court.  It  was  drawn,  according  to  
 the  statement  of the  age  of the  princess,  in  the year  1-^fo,  the  sine  u£$jhioh  
 James _V.  of; Scotland  died,  broken-hearted  on  aecount o f   h ^ ^ e f e ^ b y   
 English  at; Solway Moss,  and  left  his  infant  daughter*Maay,'hei*futur^’ rivSlf"  
 an  orphan.  It  was, in  many  other  respects, * a  "'critical w>eriod ■' for-tins-.year  
 may h^@$flsidered  the  one  in  which  the  Reformation  in  England was  liiuillvr  j  
 d e t^ a j^ e ^ : At  the  accession  of her " sister' Mary  to/ th ^ fro n e ipf.EngTanS,  
 Elizabeth  had  reached  her  twentieth  year; ‘during.th^ greater  part-of Mary’s;  
 r ^ A e  was  virtually  a  prisoner,  and  only obtained; her^-freedom  with  HerJ  
 crowii.  There  can, indeed,  be  little “doubt i that  her  life  was  in  danger  during ■  
 this  period.  A  youth  of troubles  and  perils 'contributed,perhaps,  not  a  littlfe-  
 towards, forming  that  masculine  greatness  of  character  which  afterwards  distinguished  
 the-Virgin Queen.  .