
 
		500  SOUND SYNTHESIZER  (248)  1865 
 Signed: RUDOLPH KOENIG A PARIS 
 Baseboard  1,040 x 794; largest resonator length 218, diameter 
 lltlW: 
 A mahogany  baseboard  carries  eight  resonators with  their  electrically  
 maintained tuning forks, and master tuning fork. Before each resonator  
 is  a  clapper,  or stop, which  is moved  by strings  attached  to  the  keyboard. 
  All the resonators  are marked with the RK monogram,  a number  
 (1  to  8)  and the resonating note:  1/UT2,  2/UT3,  3/SOL3,  4/UT4,  
 5/ML4,  6/SOL4, 7 [nil],  8/UT5. The master energizing fork has electrical  
 contacts that clip into mercury cups. It is stamped UT2 256, and has  
 the  RK  monogram.  Note  that  UT2  corresponds  to  base  C  (in  the  
 Helmholtz notation), which has  a frequency of 128  cycles per  second  
 (cps).  It  is marked with  double  this  number  (i.e.,  256),  according  to  
 French practice,  to count the pulses and not the cycles. 
 This apparatus, by synthesizing sound, represents another vital  
 step by Helmholtz in the understanding of music and speech. He reproduced  
 a given sound by combining the individual sounds composing it  
 as revealed by the resonators. Helmholtz was able to show that the difference  
 in  timbre  or quality of sounds  is  due to  the primary tones  of  
 these  sounds.  It may  be  regarded  as  studying  the  colour  of sounds.  
 Koenig  (1865),  10-12,  no.  54,  figs  3,4,  price  800 francs;  the  grand  
 model,  as here,  is shown in Koenig  (1889),  26,  no.  56a,  fig.  17,  price  
 1,250 francs; Ganot (1883), 212-213,  § 257,  fig. 211. 
 501  BELL IN VACUUM  (230)  before  1859 
 Clockwork mechanism (frame  110 x 65 x 36), comprising a fosee drive  
 with catgut and spring barrel, is fitted on a mahogany disc. It is for placing  
 in  an  evacuated  chamber  to  show  that  air  is  needed  to  transmit  
 sound. Koenig (1865),  13,  no.  60; Deschanel  (1877), 791; Guillemin  
 (1877),  129. 
 502  BELL IN VACUUM  (231)-  before  1859 
 Unsigned; by W.M. Logeman, Haarlem 
 Base diameter  152; bell diameter 85; overall height  164 
 Brass bell, with a fabric support to deaden vibrations, is on a mahogany  
 base. A curved side arm carries a clapper that can be activated by a magnet  
 external  to  the  evacuated  bell-jar  of an  air-pump.  To  show  that  
 sound is not transmitted in a vacuum. 
 503  BELL  (1039)  before  1859 
 Unsigned; possibly by W.M. Logeman, Haarlem 
 Small b ro n z e il«  (diameter 67)  held by a horizontal rod supported by  
 two pillars over a lead ring (diameter 117). A vertical pin at one end of  
 the bar rocks the bell. For use in an evacuated bell-jar. 
 504  BELL IN GLOBE  .  (789)  1882-1898 
 Base diameter 268; overall height 410 
 The glass globe, with brass collar and stopcock, is intended to be evacuated  
 by an air-pump and placed in the wooden frame. The bell, which