
 
        
         
		neoklace,  and  gown  with  border  of  laoe  or  embroidery.  On  
 truncation,  7*.  ¡Simon. 
 Rev.  Inscription  incuse,  noRCAS  .  brabazon  .  g e o r g i i   .  la n e   .  
 e q   :  av  :  d il e c t   :  conivx  .  m d c l x i i.  (Dorcas  Brabazon,  the  beloved  
 Wife  of  George Lane,  Knight.  1662.) 
 1‘25.  Med. Hist.  xxv.  1.  Vertue,  xxii.  fig. E. 
 MB. JR.  T. M. Whitehead,  JR.  Very rare. 
 A medallic  portrait,  cast from  a  model  by Abraham  Simon,  
 and  chased  by  Thomas  Simon;  but  certainly  not  with  that  
 exquisite delicacy which marks the latter’s finer works. 
 Dorcas  Brabazon  was  daughter  of  Sir  Anthony  Brabazon  
 and first wife of Sir George Lane, Secretary of State for Ireland,  
 created,  in  1676, Viscount Lanesborough. 
 9 0 .  M a r r ia g e .  1662. 
 Busts of Charles II. and Catherine face to faoe.  He, laureate,  
 hair  long,  flowing  behind,  is  in  armour  with  lion’s  head  on  
 shoulder,  and  mantle  :  she,  with  her  hair  collected  behind  
 within  a  coronet,  a  narrow  wreath  twisted  round  the  head,  
 detached ringlets  falling  down the  neck,  wears a  slight mantle  
 over  the  gown, which  has  sleeves  fastened with  jewels.  Leg.  
 Within two  circles,  carolvs  .  i i   .  e t   .  c atharina  .  d  .  g  . mag  .  
 BRIT  .  FRAN  .  ET  .  HIB  .  REX  .  ET  .  REGINA.  Under busts,  G.  B.  
 (George Bower.)  m.m.  Rose. 
 Rev.  Fame,  facing,  blowing  her  trumpet  and  bearing  an  
 olive branch.  Leg.  qvantvm  .  sat  .  e r it   .  h is   .  d ic e r e   .  d ig n vm  .  
 ano  1662.  (As  much  as  may be  sufficient,  it will  be worthy to  
 say of these,  in the year  1662.)  g .  b .  (George Bower.)  Stops,  
 roses. 
 2*1.  Med. Hist. xxx.  7. 
 MB.  JR.  JR gilt.  Rare. 
 The  specimen in  silver  varies  in  the  die  of  the  reverse,  and  
 the legend  reads anno  for a n o . 
 This  medal  was  struck  upon  the  marriage  of  Charles  II.  
 with  Catherine  of  Braganza,  daughter  of  John  IV.,  King  of 
 Portugal,  an  union  of  great  importance  to  the  two  countries,  
 founding  the Indian  empire  of  England,  and  establishing  thé  
 independence  of  Portugal.  The  ceremony  was  performed  
 privately  by  Lord  d’Aubigny,  a  Roman  Catholic  priest,  and  
 publicly  by  Sheldon,  Bishop  of  London,  after  which  their  
 Majesties proceeded  to Hampton Court,  29 May,  1662. 
 +   91.  M a r r ia g e .  1662.  “ M a ie s t a s   e t   A mor. ” 
 Busts  conjoined,  r.,  of  Charles  II.  and  Catherine.  He,  
 hair long, neck bare :  she, with  slight drapery across the breast.  
 Leg.  c a r o l v s   .  I I   .  e t   .  c a t h a r i n a   .  d   .  g   .  m ag   .  b r i t   .  f r   .  e t   . 
 HIB  .  REX  .  ET  .  REGINA. 
 Rev.  Jupiter, with  his right arm round  his  eagle’s neck,  the  
 fulmen  in his  left hand,  is  seated,  r.,  among  clouds  opposite  to  
 Venus,  who  is  turning  her  head  back  towards  Cupid.  Leg.  
 m a ie sta s   .  e t   .  amor.  (Majesty and Love.)  
 l ’OS.  Med. Hist.  xxx.  8. 
 MB. JR.  Bibl. Paris, JR.  Munich, JR.  Stuttgart, JR.  
 Gotha,  JR.  Somewhat rare. 
 Struck upon the marriage  of Charles II.  and  Catherine;  and  
 executed  by George  Bower.  The  legend  is taken  from  Ovid:  
 the  whole  passage  would  have  been  more  true  though  less  
 complimentary. 
 Non bene conveniunt,  nec in una  sede morantur, 
 Majestas et amor.  Met.  ii.  846 
 The pride of  empire and the charms of  love  
 Dwell not together, nor together move. 
 ~h  92.  M a r r ia g e .  1662.  “ M a ie s t a s   e t   A m o r . ” 
 Busts  conjoined,  r.,  of  Charles  II,  and  Catherine,  from  the  
 same  die  as the preceding. 
 Rev.  Jupiter,  beard  very  long,  mantle  concealing  all  the  
 lower limbs,  his  left  hand  holding  the  fulmen  and  resting  on  
 the  eagle’s  head,  is  seated,  I.,  among clouds,  opposite to Venus* 
 i  i