
 
        
         
		Amongst  the  Dutch  medals  relating  to  English  affairs  are  
 several by Peter Yan Abeele and  0. Müller, called by Bolzenthal  
 “ der Meister Müller,” who worked in the repoussé  style. 
 There  is  in  the  British  Museum  an  interesting  record  of  
 the  medals  of  Louis  XIV.  relating  to  this  and  later  times,  
 some of which  refer  to  England.  I t  consists of  a manuscript  
 volume  containing  sketches  and  designs  made  by  the  artist  
 Sebastian Le  Clerc, who was engaged on  this  series  of medals.  
 To  these  the  artist  has  added  many notes  descriptive  of  the  
 designs  and  of  their  historical  allusions.  In  some  instances  
 we  also  meet  with  the  remarks  of  the  judges,  to whom these  
 designs  were  submitted  before  they  passed  into  the  hands  of  
 the  die-engravers.  These  judges  consisted  of members  of  the  
 Academy  and  several  ministers  of  State,  amongst  whom  was  
 M.  de Pontchartrain,  Secretary of  the  Admiralty,  whose  name  
 very frequently occurs.  Some  of  the  sketches  were  shown  to  
 Louis  XIV.  himself,  and  in  the  volume  are  several  remarks  
 upon them, which  appear to be in the handwriting of  the King.  
 I t  is  very  interesting  to  notice  the  suggestions  made  by  the  
 judges,  as  they show  that  the  designs were  not  selected  haphazard, 
   but  passed  through  a  very  severe  course  of  criticism,  
 being  frequently  sent  back to the  artist  for  alteration.  These  
 designs are often given  in their  several  stages.  In some cases  
 the judges  chose the die-engraver who was to carry out the execution  
 of  the  work.  Erom  the  slight  varieties  in some  of  the  
 medals recording the  same  event,  it would  appear that the  design  
 was occasionally given to  several medallists to be  engraved,  
 and from  these a selection was afterwards made. 
 An abundance  of  loyal  badges  and  medals  inaugurates the  
 Restoration  of  Charles  II.  Some  of  these  anticipate  the  
 Restoration  of the  King,  others  trace  step  by step his journey  
 to  England  from Holland,  his landing at Dover,  the joy of  the  
 people,  and his coronation  at Westminster.  He is the  sun rising  
 from the  sea,  the  leafless  branch  soon  to recover its greenness, 
   Jupiter  destroying the  giants,  or  a  shepherd  returning to  
 his  flock.  The  unpopular  cession  of  Dunkirk in  1662  is only  
 recorded on medals and counters issued in France;  but the well-  
 contested  engagements  between  England  and  Holland for  the 
 dominion  of  the  sea  and  the  close of  the war  by the Peace of  
 Breda are largely illustrated.  The medals  relating  to the  last  
 event  were  chiefly executed  in Holland,  and  some of  them  are  
 remarkable  examples  of  the  Dutch  medallic  art  of  the  time,  
 showing,  however,  a  continual  degradation  of  style  both  in  
 design and execution.  The English  medal  on  this  Peace  has  
 obtained a certain  celebrity from the circumstance that when the  
 artist, Roettier, was preparing  his  dies  representing  Britannia  
 contemplating  her  navies,  he  had  for  his  model  the  famous  
 Mrs.  Stuart,  afterwards  Duchess of  Richmond,  but at the time  
 the  fashionable  beauty  at  the  Court.  Of  the  next war  with  
 Holland,  from  1672-1674,  the medals  are  French  and Dutch.  
 The  alarm  created  by  the  growing  strength  of  the  Catholic  
 party,  and the  discovery of  the pretended Popish Plot with the  
 murder  of  Sir Edmundbury Godfrey,  form  the  subjects  of  the  
 most important  group of medals  relating to subsequent  events  
 of  this reign.  Of  Godfrey  especially there  are  several curious  
 medallic  records,  which  often  contain  some  satire  upon  the  
 Jesuits.  On one  piece  are  depicted  the various  details  of  his  
 murder  as  related  by  Prance.  Two  monks,  styled  “ Justice  
 Killers  to  his  Holiness,”  are  shown  strangling  Godfrey  and  
 overlooked  by  the  Pope, who  is  prompted  by  the  Devil,  and  
 to  whom  is  applied  the-  inscription,  “ Rome’s  revenge  or  
 Sir  Edmundbery  Godfrey murthered  in  the  Pope’s  slaughter-  
 hous.”  On  another  he  is  compared  to  St.  Denis,  and  on  a  
 third  the  Pope  is  represented  as  holding  up  a  pardon  and  
 blessing the murderers,  who are  in  the  act  of  strangling their  
 victim.  The  Rye  House  Plot  has  but  one  medallic illustration, 
   on  which  Charles  appears  in  the  double  character  of  
 Hercules  slaying the Hydra,  and a  shepherd  guarding his flock  
 against the  attack of  wolves. 
 The medallic  series is well  carried  on  throughout  the  short  
 reign  of  James II.  Many of  the  medals  are Dutch,  but their  
 interest  is  often  greater  than  that  of  those  struck  in  this  
 country.  We  find  recorded  the  rebellion  of  Monmouth  and  
 Argyle,  the  attempt  of  James  to  restore  Catholicism  by  the  
 repeal of the  Test Act,  the imprisonment and trial of the Seven  
 Bishops, who are likened to the  sweet influences of the Pleiades,