
 
        
         
		commemorate  would  be  no  more  than  to  enumerate  tbe  
 chief  occurrences  of  English  history  from  the  Battle  of  the  
 Boyne  to  the  Peace  of  Utrecht.  William’s accession  to  the  
 throne  of  England,  his  campaigns  in  Ireland  and  the  Low  
 Countries,  and  many  other  events,  will  be  found to  be  most  
 extensively illustrated,  and the various  stages  of the War of the  
 Spanish Succession, which extended throughout nearly the whole  
 of  the  reign  of  Anne,  may  be  clearly traced from the medals  
 themselves without  any further  historical  evidence.  This was  
 the  period of  Dutch art in England,  as most  of  the  medallists  
 belonged to the Dutch School.  This  state  of things was brought  
 about by the  close  connexion  of  the  interests  of  England  and  
 Holland.  The names  most frequently met with  on medals are  
 those  of  the brothers Jan  and  Martin  Smeltzing,  Jan Boskam,  
 Georg Hautsch,  and Jan Luder.  Of  these Jan Smeltzing and  
 Jan  Boskam  stand  first  as  skilful  workmen,  the  former  for  
 general excellence and delicacy of  execution,  the latter more for  
 boldness  of  design,  especially  in  portraiture.-  Jan  Croker  or  
 Crocker,  a native  of Dresden, who  succeeded  Boettier as Chief  
 Engraver to the Mint, did not come into notice before the reign  
 of Anne,  and was  principally engaged  on the  coinage,  the  dies  
 for which were made by him  during this  and the greater part of  
 the two following reigns.  In Norbert Boettier we have the last  
 eminent engraver of  that family.  After  his dismissal from the  
 English Mint  for certain irregularities connected with the coindies  
 he went to France,  and  found  employment at the-Mint in  
 Paris.  To  him we are indebted  for many medals  of  the  exiled  
 Stuart family,  the execution and designs of  which  are traceable  
 to  the  advantages  he  derived  from  the  tuition  of  his  father,  
 John Boettier.  In  style the medal  during  this  period  underwent  
 very  little  change.  It was  somewhat  similar  to  that of  
 the  Boettiers,  but  in  lower  relief.  The  types  of  the  reverse,  
 though  pictorial and  full of minute  detail,  are  usually distinct,  
 though often somewhat conventional. 
 With the  accession  of  the  House  of  Hanover the  medallic  
 series of  England  loses  much of  its  interest.  As  the  affairs  
 of  England  and  Holland  were  no  longer  so  closely allied,  the  
 Dutch  artists  ceased  to  work for us,  and  there were  few medallists  
 in this  country.  Croker worked  on  assiduously, but almost  
 single-handed,  and  it  was  to  a  few  German  artists  that  we  
 are  mainly  indebted  for  our  medallic  illustrations.  Of  these  
 Ehrenreich Hannibal was in  the service  of  the House of Brandenburg, 
   and  Georg  Wilhelm  Yestner  lived  at  Nuremberg.  
 Many weathy  Englishmen  during this  period visited  Italy  and  
 brought  back  with  them  their  portraits  in  metal  by  Italian  
 artists, amongst whom  is  Antonio  Selvi,  of  Florence,  an  artist  
 more remarkable for rapidity than for excellence of  execution. 
 The  quiet  state  of  England  was  also  unfavourable  to  any  
 medallic  interest,  and  the  subjects  for  medallic  illustration  
 were few.  There are, however, medals relating to the Jacobite  
 rebellion  in  Scotland  in  1715,  to? the  war  of  the  Quadruple  
 Alliance, the  speculations  of  Law the financier, and to the siege  
 of  Gibraltar.  After  mentioning the medals  struck in Holland  
 to commemorate the marriage of William  IY.  of  Orange  with  
 Princess Anne of  England, we  can pass over the first ten years  
 of  the  reign  of  George  II.  The  popular  joy  over the  success  
 of the expedition of Admiral Yernon  to South America,  and the  
 capture  of  Porto Bello,  Fort  Chagre,  and  Carthagena,  is  expressed  
 in the  hundred  and  more  medallic  pieces  commemorating  
 those  events.  These pieces, miserable in design,  and  
 still  more  wretched  in  execution,  are  degrading  to  an  art  
 which  in  by-gone days had  produced so many fine objects.  It  
 need only be  said  that  they  were  issued by  a manufacturer  of  
 toys,  and  that  their  only place  is  amongst  such  articles.  It  
 is not until the  outbreak of the War  of the Austrian  Succession  
 that we have a medal  of any merit;  and the Battle of Dettingen  
 has been well recorded  by the medallist Daniel Haesling.  The  
 other principal  events  commemorated  by  the  medals  of  this  
 reign  are  the rebellion  in  Scotland  of  1745-6,  the elevation  of  
 William  IV.  of  Orange  to  the  Stadtholderate,  the  Peace  of  
 Aix-la-Chapelle,  and the  war in  North  America.  Of  personal  
 medals of  eminent men, the series  by James Anthony Dassier,  
 the  nephew of  Jean Dassier,  the  engraver  to  the  Bepublic  of  
 Geneva,  was  an  effort  to  produce  something  worthy  of  the  
 subject;  but it  was  of  short  duration  as Dassier,  having  found  
 employment at the  English Mint,  turned  his attention  to other