IX £ |S J ) SLAB.
ARTS, PARIsl
Lfc
|AXY juecoratfijl»sepulchral memom
ria jre P ^ I^ slabs iMvhich present the
I '•aiji as «mpulchral brasses,
sarhe^rait^ Both’
•w i Smp'ffijiii li ,Jn’'*‘iri ' i , '1 >'ir mu i liii • I into.tha,
, ■, lines <i of" the^desi^ip-'.aTiU^Msilodgirients which form
.the h( Id ^*cjprywame^ ^ ^ d ucis.edl,r^ r]^ fe g i ^ ^ l ^ ^ m ^ v ith a
resinous c o m p o s i c o l o u r s .
Brass plate was oerha hs^^MiumpKg^^mul^rdti-Vd
and- the' ffePjue6t'’^TGm"^nm^^^^®,e^roni"lhti'"thirteenth ft^tH&S
[se^meCTttlj^centiny, material
less costly and more
explained. Thgre
Robert. III.
Barecorded the name^fethe'artist ;LET \U<,i|,\iv', i ui*i«>ii- m l n i
of themes^tfStibh. this kind of art had'ieycinat that early*iTOrIbd>
attained. In England, incised usualh rmi^i^TvImire alabaster, occur
but rarely, and are little worthy of ^^^Mbe^oriS'the .fifteenth
XThe finfe^pjecimen here given was brought Trohf the AM ^H K H n yH ^ ray ^
mt|re Millin', who was struck with’ its^bealitv.1-.ffoilpw it ;n^legt^d and thrown
out into,.a court adjoining the cloister (Antiqu.teatipuule^^^^^l It has fob-.,
tunately suffered lijfte; material damage. :wall in the
exterior court of the Palais 'des Beaux Arts it 1 * t i- t', Up jT i * u t nmiuno