A U G U S T IN E OF C A N T E R B U R Y . B y E . L. C u t t s , D.D.
W IL L IAM LA U D . B y W. H . H u t t o n , M.A.
JO H N KNO X . B y F. M'Cu n n .
JO H N HOWE. B y R. F. H o r t o n , D.D.
^ B ISH O P K EN . B y F . A. C l a r k e , M.A.
G EO R G E FO X , T H E Q U A K E R . B y T. H o d g k i n , D.C.L.
Oth e r volumes w ill be announced in due course.
Fiction
S I X S H I L L I N G N O V E L S
Marie Corelli’s Novels
Crown 8vo. 6s. each.
A ROM AN C E O F TWO W O R LD S . Fourteenth E d itio n .
V E N D E T T A . E le ven th E d itio n .
T H E LM A . Fourteenth E d itio n .
A RD A TH . Tenth E d itio n .
T H E SO U L OF L IL IT H . N in th E d itio n .
WORMWOOD. E ig h th E d itio n .
B A R A B B A S : A D R E AM OF T H E W O R LD ’S T R A G E D Y .
Twenty-fiflk Edition.
‘ The tender reverence of the treatment and the imaginative beauty have reconciled us to the daring of the conception, and the convictioonf itsh feo wrcreidti nogn purse tsheantt eedv einn tshoe e txraulete sdp air istu obfj eCcht rcisatnianno tf baiet hm. adTeh tfoe oa mfapmliifliicaart tioon uss o, fp trhoev iSdcerdip ittu bree nWarorraldti’vs eT raarge eodfyte ”n i sc, odnecsepiviteed swoimthe htirgifhli npgo eitnicc oinngsirguhitti,e sa,n da tlhoifst y“ a nDdr enaomt ionfa tdhee
quate paraphrase of the supreme climax of the inspired narrative. '—Duhlin
Review.
T H E SO R ROW S OF SA T A N . Twenty-ninth E d itio n .
‘ At ove wryin p aonw earbfiudli npgie pcela coef wwitohrikn. t.h e. m. eTmhoer yc oonfc mepatni.o n. .is. mTahgen iafuictehnotr, haansd imis mliekneslye cmoamrkmaabnled roofm alanncgeu wagilel ,l iavne dlo an gl iamftietlre mssu acuhd oafc tithye. e.p h. e.m Tehrails liitnetrearteusrtein ogf tahned draey
is forgotten. . . . A literary phenomenon . . . novel, and even sublime.’—W. T. o t e a d in the Review of Reviews.
Anthony Hope’s Novels
Crown %vo. 6s. each.
T H E GOD IN T H E CA R. Seventh E d itio n .
‘ Ab vrielrlyia rnet,m barukt abnloet bsouopke,r fdiecsiearl;v iwnge lol fc cornistiicdaelr eadn, albyusti s niomtp oeslasibboler awteidth; inc oonusrt rluimcteidt; twoi twh hthome p frionvee rlbitiearl aarryt mtheatth coodn icse aal sk, ebeunt ypelte aaslluorwes; ittrsueelf wtoi tbheo eunt jcoyyneidc ibsmy ,r esaudbetlres swaidt,h wouitth a affne cutnamtioonro, she usmimoprloicuist yw.*i—th Tohute sWtroarinld, . witty without offence, inevitably
A CH A N G E O F A IR . F ou rth E d itio n .
‘A wgriathc eaf uml,a svtievralyci hoauns dc.o’—meTdimy,e st.rue to human nature. The characters are traced
A MAN OF M A R K T h ird E d itio n .
‘ Of“ aTllh eM Pr.r iHsoonpeer’ so bfo Zokesn,d a“.” A TMhaen t wofo M roamrka n”c eiss ^tahree ounnem wishtiackha bbleys tt hceo mwpoarkre os fw tihthe scaommep rwehrietners,i vaen, da nhde— phoisss oeswsens. ’—a sNtyaltei oonfa nl aOrrbasteirvvee rp. eculiarly seductive, piquant,
T H E C H RO N IC L E S OF CO UN T ANTO NIO. T h ird
Edition.
‘ Ito uistl aaw peedr fCeocutlnyt eins cthhaen mtinogst sctoonrsyt aonft ,l odvees paenrdat ec,h aivnadl rwy,i tahnadl mpuordee srto amnadn cteen. deTrh oef mloavgernsa, naim peoeursl efsose ._g enItnle smhoanrt,, ahne iins tarenp iadlt foigghetthere,r aa vdemryir afabilteh, fluolv farbielne,d ,a nadn dd eal migohstt
ffausl thideiroou. s tTashteer eo fi ms anno t oar wwoomrda nin, atnhde tvhoelruem ise ntohta, te citahne rg, iav ed ouflfle pnacrea tgor atphhe imn oist.t aTnhde dbeoloicka itse leyv epreyrwfuhmeered winistthin tchte wsietnht itmheen mt oofs ta lelx hheirloarica tainngd hsponiroitu roafb laed vdeenedtusr eo,f history and romance.’—Guardian.
S. Baring Gould’s Novels
Crown 8vo. 6s. each.
‘Tsot osrayy c tahsat to an sbtorookn gi sl inbeys ,t hcoen atauitnhionrg odfr a“mMateihc aploashs"ib iisl ittoie sim, vpilvyi dth aantd i ts ycmonptaatihnest ica descriptions of Nature, and a wealth of ingenious imagery .'—Speaker.
‘ Thamt awyh baete vveerr yM gr.e nBearrailnlyg Gacocuelpdt ewdr. iteHs iiss wvieelwl ws oofr tlhi fere aardein fgr,e sish aa ncdo nvcilguosrioouns ,t hhaist slatrnigkuinagg ea npdo inorteigdi naanl,d h cish acrhaacrtaecritsetrisc ,a rthe el iifnec-liidkeen, tasn odf twhohuicghh hseo mmeawkehsa tu esxec aerpe
tdieosncarli pptieoonpsl eo, fa rsec ednreasw ann da nsdc ecnoelroyu arered wpaitihn teadrt iwstiitch, ftohrec el.o vAindgd e tyoe sth ains dt hsakti llheids shuacnhd sc oonfd ait imonass tiet ri so nf oh iws oanrdte, rt^h tahta ht er eisa dalewrsa yhsa vfere sgha inanedd cnoenvfeird ednuclel ,b aonthd iunn dheisr pwoidweenrs .o’—f aCmouurstin Cgi racnudla rs.atisfying them, and that year by year his popularity
A R M IN E L L : A Social Romance. F o u rth E d itio n .
U R IT H : A Story of Dartmoor. F ou rth E d itio n .
‘ The author is at his best.’—Times. * He has nearly reached the high water-mark of “ Mehalah.” '—National Observer.