
 
        
         
		one side, of  the; cascade are  two  excavated  chambers»' or, rather  one  
 chamber divided into  two compartments»  and ip the farther  division  
 is a second basin,  sunk below the level of the chamber,  which appears  
 to have originally communicated with the stream by means, of a small  
 aperture in the rock just  above it;  but no water at  present finds its  
 way through this opening,  and the hasin would  be  dry were it  not  
 for the rain  which  washes into  it  from  without during the  winter  
 season.  I t  is  probable  that this reservoir was  originally devoted to  
 the  service of the priests  who had  the charge of  the sacred stream,  
 in the performance of  their  religious  ceremonies.  Nearly opposite  
 to it is what appears to  have  been  the principal  entrance;  and  we,  
 found here a tablet, broken in two pieces, which seems to have fallen  
 from over the doorway,  and near it the fragment of a fluted, engaged  
 column.  On  the tablet  is  sculptured three  female  figures,  joining  
 hands  as  if performing  a  sacred dance:  the  mode  of executing the;  
 draperies in this bas-relief would seem to  point  it  out  as  belonging  
 to  a very early; period;  and  the difference  of  style  between  it  and  
 another  bas-relief  which  we  found  near  it,  representing  a  female  
 figure  crowning  a term,  will be obvious on  a reference to the plates  
 of the two performances given.  The last-mentioned tablet is of white  
 marble,, in excellent style, and finished with all the delicacy and taste  
 of  the most  refined periods:  the upper part of  it  appeared  at  first  
 sight  to be naked, but on a  more attentive  inspection  it was found  
 to be covered with what is evidently intended for a light, transparent,  
 drapery,  the few folds of which are very slightly, though very clearly:  
 defined,  and  result with great  propriety as  well  as  simplicity from 
 the easy and graceful action of  the  figure.  As  the  tablet  has  lain  
 for ages with  its  face  towards  the ground,  the polish  still  remains  
 very conspicuously  upon  its  surface;  and  contributes  to  give  an  
 additional air of finish to this  tasteful and interesting performance. 
 The group  we  first mentioned  is  executed in  sandstone;  and it  
 will be seen that the style of  it, although characterised  by archaism,  
 is by no means deficient either in  sentiment or taste, or distinguished  
 by an  ignorance  of  the rules  of art.  The  faces  in  both  of  these  
 tablets have been mutilated, and  other parts of  the compositions, as  
 will be seen by the plates,  are wanting. 
 In  front  of  the  fountain  two  porticoes  appear  to  have  been  
 erected,  if we  judge from  the channels which are cut in the surface  
 of the rock,  into which  the pediments  seem to have  been  inserted;  
 and on a part of the cliff, at right angles with the face of the  rock, is  
 an inscription  in  Doric Greek  recording the name  of  a  priest  who  
 built one of the porticoes in question *. 
 It  is probable  that the  separation of a part of  the  cliff  from the  
 rest,  in  consequence of  the foundation  having  given  way,  was  the  
 cause of the destruction of the portico of Dionysius, (the name which  
 is mentioned in the inscription;)  no other indications of which now  
 remain except  the marks We  have  alluded  to  in the surface  of the  
 rock.  The front of  the fountain is however much encumbered with  
 soil, washed  down by the winter rains from above;  and  parts of  the 
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