Fig. 5. Is an Outline of the Head of Mercury, to show that
the same theory which led the artists of antiquity to give a peculiar
form to the head and face, directed them also in the individual
features. See p. 158 and p. 161.
Fig. 6. Is an Outline of the Negro Head, to show that the
flesh of the cheeks and lips correspond with the large teeth and
jaws, fig. 7.
Fig. 7. Is the Skull of a Negro suspended on a rod, to show
the inclination of the fascial fine, in explanation of the text, p. 168.
T H E END.
LONDON:
P R IN T E D BY THOMAS DAVISON, W H IT E FR IA R S.
