
 
        
         
		' i  • 
 p l a n t   h o t e ,   h e g eT ^ f ,   a n ü   h f \ e f . 
 says:  “  The  nails  on  the top are represented  so exadlly, that  nothing 
 more perfedt  can  be  imagined................In  the  open  flower  they  are 
 twisted  and marked with  dark  blood-like  spots,  as  if they had  been  
 already  removed  from  the  Cross.  The  small  undeveloped  seed-  
 vessels may  be  compared  to  the  sponge  full  of  vinegar offered  to  
 our  Lord.  The  star-form  of  the half-opened  flower may  represent  
 the  star of the Wise Men;  but  the  five petals,  fully opened, the  five  
 wounds.  The  base  of  the  ovary  is  the  column  of  the  flagellation.  
 The  filaments  represent  the  scourges  spotted with  blood,  and  the  
 purple  circle  on  them  is the  crown  of  thorns,  blood  covered.  The  
 white petals  symbolise  the  purity  and  brightness  of Our  Lord,  and  
 His  white  robe.  The  corniculata folia,  the  sub-petals, white  inside  
 and  green without,  figure hope  and purity, and  are  sharply pointed,  
 as  if  to  indicate  the  ready  eagerness with  which  each  one  of  the  
 faithful  should  embrace  and  consider  the mysteries  of  the  Passion.  
 The  leaves  of  the  whole  plant  are  set  on  singly,  for  there  is  one  
 God,  but  are  triply  divided,  for  there  are  Three  Persons.  The  
 plant  itself  would  climb  toward  heaven,  but  cannot  do  so without  
 support.  So  the  Christian,  whose  nature  is  to  climb,  demands  
 constant  assistance.  Cut  down,  it  readily  springs  up  aga in ;  and  
 whoever holds  the mysteries  of  the  Passion  in  his heart  cannot  be  
 hurt  by  the  evil  world.  Its  fruit  is  sweet  and  delicate,  and  the  
 Passion  of  our  Lord  brings  sweet  and  delegable  fruit  to us.”  In  
 his  'Paradisus  Terrestris,'  John  Parkinson, writing  in  1629,  speaks  of  
 the  “ Virgin  Climer,”  as  “ a  brave  and  too-much-desired  plant,”  
 with  flowers  which  “  make  a  tripartite  shew  of  colours  most  de-  
 lightfull,”  and  are  “  of  a  comfortable  sweet  sent,  very  acceptable,” 
   The plant's  native  Indian  name was Maracot;  from the likeness 
 of  the  fruit  to  a  small  Pomegranate,  it  was  sometimes  called  
 Granadilla ;  the Mexican  Jesuits  named  it Flor de  las cinca llagas;  but  
 in  Italy, it was  usually known  as Fior della Passione, the  name which  
 it  has  retained  throughout  Europe. 
 P A T JLQ W 'N IA .—-The  uoble  hardy  tree,  Paulownia  imperialis,  
 was  so  named  in  1840  in  honour of  the Hereditary  Princess  of  the  
 Netherlands,  a  daughter  of the  Emperor of  Russia.  The  Paulow-  
 mas  are  famous  throughout  Japan  for  the  hardness  and beauty of  
 their wood ;  they  attain  a height  of  about  thirty  feet,  and produce  
 dark  lilac  flowers,  which  are  borne  in  three  spikes  upon  a  tri-lobed  
 sinuous  leaf.  These  flowers,  which  resemble  the  blossom  of  the  
 Catalpa,  constitute  one  of the  crests  of the Mikado  of Japan, 
 P A V E T T A   IN D IC A .—A race of Malays, called the Aruans,  
 when  burying  their dead,  carry  the  body  into  the  forest,  and hoist  
 it  upon the summit  of four posts,  A  tree, usually the Pavetta  indica, 
 IS  then planted near  it,  and  at  this  final  ceremony none  but  nude  
 females  are  allowed  to  be present. 
 P E A .—The priests  of ancient  Egypt were  not  allowed  to partake  
 of P e a s . _ T h e  Pea, like most trailing and climbing plants, has 
 fi 
 p l a n t   Tâore,  T se g e 't^ /,  a n il  “b ij r lc /. 489 
 always  traditionally been  connecited with  celestial  fire.  According  
 to  a  mediæval  legend,  the  ancient  Midsummer  or  St.  John’s  Day  
 fires  were  kindled  at  the  season  of  the  Summer  solstice  for  the  
 purpose  of  scaring  away pestilential  dragons ;  and  these  dragons  
 carried  Peas  in  their  flight, which  they  cast down in such quantities  
 as  to  fill  up  the  wells,  and  their  smell  was  so  foul  that  the  cattle  
 refused  to  eat  them :  these Peas represent lightning, and their  smell  
 is  the  sulphurous  fume  that  clings  to  everything  struck  by  it.  The  
 ancient  German  Zwergs,  who  are  dwarfs  closely  connedted  with  
 the  thunder-god  Thor,  and  who  forged  for  him  his  lightning  
 hammer,  are  exceedingly  fond of  Peas,  and  often  plunder  the  Pea-  
 fields.  Peas were  consecrated  to  Thor himself,  and  to  this  day  in  
 Berlin  Peas  with  Saurkraut  are  a  standing  dish  on  Thor’s  Day  
 (Thursday).  The  Pea was  the  favourite vegetable of Thor himself,  
 and  St. Nicholas, who  in  some  countries has  replaced him, is sometimes  
 represented  as  being  clad  in  Peas-straws.  In  the  North  of  
 England,  if  a  lass’s  lover  has  proved  unfaithful  to  her,  she  is,  by  
 way of  consolation,  rubbed with  Peas-straw  by neighbouring  lads.  
 A  Scottish ballad  says :— 
 “   I f   you meet  a  bonnie  lassie 
 Gie  her  a  kiss,  and  let  her  gae  ; 
 I f   you meet  a  dirty  hussey, 
 Fie,  gae  rub her  o’er  wi’  strae  !  ” 
 Similarly when  a  Cambrian  youth  has  been  jilted,  and  his  sweetheart  
 marries  a  rival,  the  same  operation  is  performed  upon  hirq,  
 as  a  solace,  by  the  village  lasses.  In  the  North  of  England,  
 Carling  Sunday  (the  fourth  in  Lent)  is  universally  celebrated  by  
 feasts of Peas and butter.  The use of Peas in divination concerning  
 love  affairs  probably arises  from  the  fact  that  they  are  sacred  to  
 the patron  of  marriage.  In  Bohemia,  the  girls  go  into  a  Pea-field,  
 and  there make  a  garland  of  five  or  seven  kinds  of  flowers,  all  of  
 different  hues.  This  garland  they use  as  a pillow, lying down with  
 their  right ear upon it, and then they hear a voice from underground,  
 which  tells  them  what  manner  of man  they  will  have  for  a  husband. 
   A  curious  custom,  known  as  “  Peascod  wooing,” was  formerly  
 extant  in many  country places ;  it was  performed,  according  
 to  Brand,  by  selecting one  growing  on  the  stem,  snatching  it  away  
 quickly,  and  if  the  good  omen  of  the  Peas  remaining  in  the husk  
 was  preserved,  then  presenting  it  to  the  chosen  lady.  A  girl  
 shelling  Peas  will,  if  she  should  chance  to  find  a  pod  containing  
 nine,  place  it  on  the  lintel  of  the  kitchen  door,  and  the  first  single  
 man  who  enters  is  considered  to  be  marked  out  for  her  future  
 husband.  Gay  alludes  to  this  custom  in  the  following  lines :— 
 “  As  Peascod  once  I  plucked,  I  chanced  to  see  
 One  that was  closely  filled  with  three  times  three  ; 
 Which,  when  I  cropped,  I  safely home  conveyed, 
 And  o’er  the  door  the  spell  in  secret  laid. 
 The  latch moved  up,  when  who  should  first  come in, 
 But  in  his  proper  person— Lubberkin.” 
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