
 
		It treats of the P A S S ! O N  in metre, But not in dramatiek dialogue, 
 entitled Mount Calvary r. 
 The  fir& ordinale  of ‘the  creation  begins  thus  (God  the Esther  
 fpeaking): 
 Cornifli. 
 En Tas a Ne£ ym Gylmyr  
 Formyer pub tra'a vydh gwrys  
 Onan ha tryonyngwyr  
 1 En Tas^ han Mai,  ban Spyrys..  * 
 Ha hethyn me athejyr, 
 Drebu grath dalleth an,Bys  
 Y  lavaraf,  nefj  ha Tyr  
 ..Formyys ©rthe  oii brys. 
 This metre  is  not  ill  chofen  or 
 /  Endued. . 
 ■  T,he father of Hf'aven I'me Maker,  1  
 Former of every thing that lhall be made,  
 One,  and Three,  truly,  '  -  
 The Faüi^.‘fcé»Sïr ■ 
 •'  this-day itiïi.iny Will 
 'J... ^Of  thè world! 
 1 s {ip IkvMfald it—fïeivëh .and Earth  
 Be ye. formed J)y mlflouniel. 
 unmufieal. 
 The  fcanning  to  be  performed  in  the following manner : 
 En  Tas-a  Nef-ym  
 FSnn^Sf'  |}0'b--tfa 
 It  is  the Trochaic Heptafyllable,  otherwile  called  the  Trochaic  
 litameter  Cataleptic *.  It  confifts  of  three  trochees- and  a  femiptd.  
 Ariftophanes  was very  fond  of  it  at times ’.  7  
 •  In  Latin,  Horace  adopts  it, 
 Non  ebur  ncque  aureum. 
 In  Englifh,  Shakefpeare  frequently  ufes.,it;  and.Dryden  J(or/his  
 tendereft numbers: 
 Softly  fweet  in  Ly3ianJJroeamre,'‘  
 Soon  he  footh’d  his  fbld  to* pleafure. 
 Thje  language  fhits  the metres  as  the  fufejetSt'is^fublime,.«thertom-  
 pofition  is not; unfuitable,  as may  be  feen  by  the  above  and  following  
 ftanza: 
 Yn  pefwere  gwreys  perfyth  
 Then  fays  ol  golowys  glan, 
 Haga  hynwyn j   a  vyth  
 An  Houl,  an  Lor,  h’an  Steryan.  
 Me  a  fet  a  hugh  ah  gueyth  
 Yn  creys  an  Ebron  avan, 
 An Lor  yn  nos,  Houl  yn  geyth  
 May  rollons  y  golow Splan. 
 For tHe world  all  the"refplehdent  lights', |I  s  
 Arid; r  will) that, t^ey.be-call|d_  j. 
 The Sun,  the Moon,  and  the  Stars. 
 Them Will {I  (place  on  high  
 In  the  rhidft  of,the  firmament  above,  1  
 Thatthe" Moon :by  night,  the  Sun  by  day,  
 May  yield  their  glowing  fplendour. 
 The  ftanza confifts of eight verfes with  alternate  rhymes;  fometimes  
 this  is  changed  for  a  ftanza offix/ of*which  the  firftand  fecond  are  
 of  one  rhyme,  the  fourth  and fifth  of“kribther,  and  the  third  and  
 fixth  line  o f  a  third  rhyme ;  blit  thelieptafyllable  metre  continues  
 throughout with  few  deviations  in  this  piece  and  all  the  others. 
 r  Mr. Scawen had a copy of this book hi  1678,  
 long before Mr. Ed. Lhuyd had his copy from Mr.  
 Anftis,  and  gives a literal  translation of it.  ; ,The  
 M S  has. been mentioned before,  and isvin the poffeffion  
 o f , the  Reverend  Dr.  Lyttelton,  Dean  of  
 Exeter.-^ 
 4  Upton-on Shakefpeare,  book 111. 
 »‘ Ibid. 
 The 
 t-The  poetry «I  the  leafocxceptionable part  of thefe  interludes:  A  Drama,  
 perfon  call'ëd^rtfiOrdinary, was  the  chief-manager;  every  thing was  
 done  as  he pifeferibed,  and,fpoken;|pii he  prompted “.  The perfons  
 o f the drama-ipre/numerous^  in  this no le’fs than  fifty-fix  in number;  
 in  thé 2d,’ €2j   inhhe  ,|d;.6o;  Princes;  Patriarchs,  Saints,  Angels,  
 ^ g b^ an d  :bad-) - and  even4the  perfons  of  thereiceWblefiedTrinity  
 are^iitébduced.^;^Jnity  q^^time,  aétion;  arid  place,. is  nof  at. all  
 attended «■ > ibis  firft-meritioned pléy fipS<thróijgh a  {pace  of time  
 from  tho creation  toKingSolpmbnk building the Temple,and incon-  
 gruoufly o rd^ihg a Biffibp fo keep riijt  It takes in  alfo l the- fabulous  
 legend-of  the Martyrdorn !ofvMaximilk,  in.whieh  part  the  a&ors  
 are  a  Bifhop,  a  Grofifef-feap^ri  arMeflenger,  -four Tormentors,  the  
 Martyr,  Gebal,  and  Amalëk.  The  Bifhop  gives  to the  tormentors  
 fca>  putting  tfie Martyr  to.,death;  Behethlan,. Bofaneth,  and  all Che-  
 Hary 3  King Q®lomon  Ipeaks  the. Epilogue;  the audience,  with  a  
 ftriét  charge  tot  appéar 1 early.  on; the  morrow, in  order /to  fee- the  
 P A  S S 1 0  N   a<9:e4,  is  difinifièd  in  thefo words:. 
 Abarth  an  Xas,*  
 Menftroles  a’ ras  
 Pebourgh  whare,  
 Hag  eïis  pub  dre. 
 Erigliihedr 
 In  the  name  of  die  Father, 
 Ye  MihdTels  holy,  -  
 Tune  your  pip^ 
 And  let  eveay  one  go  ter his  home. 
 [JTh!^!may' fefve  to  give  a  geriÖal  notion  ‘of  thefe  interludes,  
 wjii|h were  all-  tranflatcd  into Englifh by  the'(ate  Mr.  John  Reig-  
 w^ri^bf  Möirfêhöle,  at  the  defire . of  the  late  Right Reverend  Sir  
 Jbriathairi 'Trélawney,  Baronet,  Bifhop  of Winchefter,  in  a  literal  
 manfier,  for'the  better  underflariding the  language,  tho’  to the  difad  
 vantage of  the Poet,  arid  his  language  too:/THë  beft:  competition  
 riow  extant  in  the Cornifh  toriguè,  is  that  called Mount Calvary,  
 which^fs riot  drariiatic,  but  narrative,  and  more  fblemn;  the  incidents  
 (With  few  exceptions)  are all taken fibril the Gofpel Hiftory  of  
 the Paflion,  and the circtimftances of diftrds and fufiering very afFeét-  
 ing.  It  was  firfl:  turned  into  metre  (as  I  imagine')  by  the  before-  
 mentioned Mr. Keigwyn at the inftance of Mr. Scawen of Molinek before 
 mentioned ;  but Mr. Scawen difliking that tranflation, has placed  
 a1 literal  one  iri  the Lyttelton  copy.  But to return  to  the  interludes:  
 The places where  they were a£ted were  the Rounds,  a kind of amphi-  
 theate^fwith benches  either  of-ftone  or  turf.  Of  the  former  fort  
 that  exhibited  in  the Antiquities  of Cornwall  (page  196,  Plate xvi.  
 Fig.  1.)  fërved  this  purpofè;  but  a  much  larger  one;  of  higher 
 "  Car.  page  and Kegyllek. 
 v  The  wages  he  gives  to  the mechanics  for  *  Places in Cornwall, 
 their  labour  is  all  the  field  of  Behethlcn,  all  r  See Scawen’s own account in Tonkin’s M S, 
 Penryn-wpod,  Enys,-  and  Arwinek,  Tregeuler,  page 96. 
 4  G  mound.